Pesquisando por: "FRANCISCO GOYA Y LUCIENTES DE (1746-1828)" - Fotoarena - Agência de fotojornalismo

908_06_lehd11390 Jose Antonio, Marques de Caballero

alb3651836 Exotic Flower. Artist: Édouard Manet (French, Paris 1832-1883 Paris); In the manner of Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Author: For a sonnet by Armand Renaud (French). Dimensions: 6 13/16 x 4 1/2in. (17.3 x 11.4cm)Sheet: 10 15/16 x 7 15/16in. (27.8 x 20.2cm). Publisher: For a publication by Philippe Burty (French, Paris 1830-1890 Astaffort). Date: 1868. Museum: Metropolitan Museum of Art, New York, USA.

alb3787814 Francisco de Goya y Lucientes / 'Blow'. 1797 - 1799. Etching, Drypoint, Japanese chisel, Burnished aquatint on ivory laid paper. Museum: Museo del Prado, Madrid, España.

alb4156527 Francisco de Goya (Fuendetodos, 1746-Bordeaux, 1828). Portrait of Asensio Julià (ca. 1798). Oil on canvas. 54.5 x 41 cm. Museum: Museo Nacional Thyssen-Bornemisza, Madrid.

alb4156529 Francisco de Goya (Fuendetodos, 1746-Bordeaux, 1828). El tío Paquete (ca. 1819 - 1820). Oil on canvas. 39 x 31 cm. Museum: Museo Nacional Thyssen-Bornemisza, Madrid.

alb4156528 Francisco de Goya (Fuendetodos, 1746-Bordeaux, 1828). Portrait of Ferdinand VII (ca. 1814 - 1815). Oil on canvas. 84 x 63.5 cm. Museum: Museo Nacional Thyssen-Bornemisza, Madrid.

alb4142297 Pretty Teachings, plate 15 from Los Caprichos. Francisco José de Goya y Lucientes; Spanish, 1746-1828. Date: 1797-1799. Dimensions: 181 x 125 mm (image); 218 x 152 mm (plate); 301 x 207 mm (sheet). Etching and aquatint on ivory laid paper. Origin: Spain. Museum: The Chicago Art Institute, Chicago, USA.

alb4142366 They Spruce Themselves Up, plate 51 from Los Caprichos. Francisco José de Goya y Lucientes; Spanish, 1746-1828. Date: 1797-1799. Dimensions: 181 x 127 mm (image); 210 x 148 mm (plate); 301 x 207 mm (sheet). Etching and aquatint in sepia on ivory laid paper. Origin: Spain. Museum: The Chicago Art Institute, Chicago, USA.

alb4142441 Nothing could be done about it, plate 24 from Los Caprichos. Francisco José de Goya y Lucientes; Spanish, 1746-1828. Date: 1797-1799. Dimensions: 193 x 136 mm (image); 216 x 151 mm (plate); 300 x 207 mm (sheet). Etching and aquatint on ivory laid paper. Origin: Spain. Museum: The Chicago Art Institute, Chicago, USA.

alb2069581 Francisco de Goya y Lucientes / 'The Parasol', 1777, Spanish School, Oil on canvas, 104 cm x 152 cm, P00773. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

alb2069951 Francisco de Goya y Lucientes / 'The Wedding', 1792, Spanish School, Oil on canvas, 269 cm x 396 cm, P00799. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

alb2069798 Francisco de Goya y Lucientes / 'The Blind Guitarrist', 1778, Spanish School, Oil on canvas, 260 cm x 311 cm, P00778. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

alb2069795 Francisco de Goya y Lucientes / 'The Flower Girls, or Spring', 1786, Spanish School, Oil on canvas, 277 cm x 192 cm, P00793. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

alb2070821 Francisco de Goya y Lucientes / 'Saturn devouring one of his sons', 1820-1823, Spanish School, Mural, 143,5 cm x 81,4 cm, P00763. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

alb2070526 Francisco de Goya y Lucientes / 'The Grape Harvest, or Autumn', 1786, Spanish School, Oil on canvas, 267,5 cm x 190,5 cm, P00795. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

alb2070770 Francisco de Goya y Lucientes / 'The Threshing Floor, or Summer', 1786, Spanish School, Oil on canvas, 276 cm x 641 cm, P00794. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

alb3639907 Plate 14 from "The Disasters of War' (Los Desastres de la Guerra): 'It's a hard step!' (Duro es el paso!). Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: Plate: 5 9/16 × 6 9/16 in. (14.1 × 16.7 cm)Sheet: 9 15/16 × 13 1/2 in. (25.3 × 34.3 cm). Series/Portfolio: The Disasters of War. Date: 1810 (published 1863). Museum: Metropolitan Museum of Art, New York, USA.

alb3899755 Poor Folly. Date/Period: 1815 - 1819. Print. Height: 245 mm (9.64 in); Width: 357 mm (14.05 in). Author: FRANCISCO DE GOYA Y LUCIENTES.

alb3629493 Plate 24 from 'The Disasters of War' (Los Desastres de la Guerra): 'They can still be of use.' (Aun podrán servir.). Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: Plate: 6 5/16 × 10 1/16 in. (16 × 25.5 cm)Sheet: 9 15/16 × 13 9/16 in. (25.2 × 34.4 cm). Series/Portfolio: The Disasters of War. Date: 1810 (published 1863). Museum: Metropolitan Museum of Art, New York, USA.

alb3653366 Plate 31 from 'Los Caprichos': She prays for her (Ruega por ella.). Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: Plate: 8 x 5 7/8 in. (20.3 x 15 cm)Sheet: 11 5/8 x 8 1/4 in. (29.5 x 20.9 cm). Series/Portfolio: Los Caprichos. Date: 1799. Museum: Metropolitan Museum of Art, New York, USA.

alb3654884 Plate 9 from the 'Disparates':General folly. Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: Plate: 9 5/8 x 14 in. (24.5 x 35.5 cm)Sheet: 13 3/16 x 18 7/8 in. (33.5 x 48 cm). Series/Portfolio: Los Disparates (Los Proverbios). Date: ca. 1816-23 (published 1864).From the posthumous first edition published by the Academia de San Fernando in Madrid in 1864 under the title 'Los Proverbios'. Museum: Metropolitan Museum of Art, New York, USA.

alb3655940 Plate 3 from the 'Disparates': Ridiculous Folly. Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: Plate: 9 7/16 × 13 3/4 in. (24 × 35 cm)Sheet: 13 in. × 18 11/16 in. (33 × 47.5 cm). Series/Portfolio: Los Disparates (Los Proverbios). Date: ca. 1816-23 (published 1864).From the posthumous first edition published by the Academia de San Fernando in Madrid in 1864 under the title 'Los Proverbios'. Museum: Metropolitan Museum of Art, New York, USA.

alb3640517 Plate 21 from 'The Disasters of War' (Los Desastres de la Guerra): 'It will be the same.' (Será lo mismo.). Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: Plate: 5 11/16 × 8 11/16 in. (14.5 × 22 cm)Sheet: 9 15/16 × 13 1/2 in. (25.2 × 34.3 cm). Series/Portfolio: The Disasters of War. Date: 1810 ( published 1863). Museum: Metropolitan Museum of Art, New York, USA.

alb3649609 Plate 14 from the 'Disparates': Carnival Folly. Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: Plate: 9 5/8 × 13 3/4 in. (24.5 × 35 cm)Sheet: 13 1/16 × 18 5/8 in. (33.2 × 47.3 cm). Series/Portfolio: Los Disparates (Los Proverbios). Date: ca. 1816-23 (published 1864).From the posthumous first edition published by the Academia de San Fernando in Madrid in 1864 under the title 'Los Proverbios'. Museum: Metropolitan Museum of Art, New York, USA.

alb3787175 Francisco de Goya y Lucientes / 'They do not arrive in time'. 1812 - 1814. Wash, Etching, Burin, Drypoint on paper. Museum: Museo del Prado, Madrid, España.

alb3788196 Francisco de Goya y Lucientes / 'It?s a hard step!'. 1810 - 1814. Burnished wash, Etching, Burin, Drypoint on ivory paper. Museum: Museo del Prado, Madrid, España.

alb3788246 Francisco de Goya y Lucientes / 'Here comes the bogey-man.'. 1797 - 1799. Etching, Burnished aquatint on ivory laid paper. Museum: Museo del Prado, Madrid, España.

alb3788053 Francisco de Goya y Lucientes / 'Rabble (Disasters of War, 28)'. 1810 - 1814. Wash, Etching, Burnisher, Burin, Drypoint on ivory paper. Museum: Museo del Prado, Madrid, España.

alb3787983 Francisco de Goya y Lucientes / 'Hapless Mother!'. 1812 - 1814. Etching, Aquatint, Burnisher, Drypoint on ivory paper. Museum: Museo del Prado, Madrid, España.

alb3661227 Plate 47 from 'The Disasters of War' (Los Desastres de la Guerra): 'This is how it happened.' (Así sucedió.). Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: Plate: 6 1/16 × 8 1/16 in. (15.4 × 20.4 cm)Sheet: 9 13/16 × 13 1/2 in. (25 × 34.3 cm). Series/Portfolio: The Disasters of War. Date: 1810 (published 1863). Museum: Metropolitan Museum of Art, New York, USA.

alb3790428 Francisco de Goya y Lucientes / 'What madness!'. 1814 - 1815. Wash, Etching, Burin on ivory paper. Museum: Museo del Prado, Madrid, España.

alb3790634 Francisco de Goya y Lucientes / 'Cruel tale of woe'. 1812 - 1814. Etching, Burnisher, Burin, Wash on ivory paper. Museum: Museo del Prado, Madrid, España.

alb3790656 Francisco de Goya y Lucientes / 'The Sleep of Reason Produces Monsters'. 1797 - 1799. Etching, Aquatint on ivory laid paper. Museum: Museo del Prado, Madrid, España.

alb4146757 They Don't Like it, plate nine from The Disasters of War. Francisco José de Goya y Lucientes; Spanish, 1746-1828. Date: 1810-1815. Dimensions: 140 x 196 mm (image); 153 x 206 mm (plate); 240 x 339 mm (sheet). Etching, burnished aquatint, and drypoint on ivory wove paper with gilt edges. Origin: Spain. Museum: The Chicago Art Institute, Chicago, USA.

alb4147598 This is How it Happened, plate 47 from The Disasters of War. Francisco José de Goya y Lucientes; Spanish, 1746-1828. Date: 1812-1815. Dimensions: 138 x 187 mm (image); 152 x 205 mm (plate); 240 x 340 mm (sheet). Etching, burnished lavis, drypoint and burin on ivory wove paper with gilt edges. Origin: Spain. Museum: The Chicago Art Institute, Chicago, USA.

alb3899734 Aparición de San Isidoro al Rey Fernando el Santo ante los muros de Sevilla. Date/Period: 1798 - 1800. Painting. Oil on canvas. Height: 360 mm (14.17 in); Width: 400 mm (15.74 in). Author: FRANCISCO DE GOYA.

alb3639656 Plate 12 from the 'Tauromaquia': The crowd hamstrings the bull with lances, sickles, banderillas and other arms. Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: Plate: 9 13/16 x 13 3/4 in. (25 x 35 cm)Sheet: 9 3/4 × 17 5/16 in. (24.8 × 44 cm). Date: 1816. Museum: Metropolitan Museum of Art, New York, USA.

alb3899706 Self-Portrait with Dr. Arrieta. Date/Period: 1820. Painting. Oil on canvas. Width: 30.125 in. Height: 45.125 in (canvas). Author: FRANCISCO DE GOYA.

alb3660655 Plate 23 from the 'Tauromaquia':Mariano Ceballos, alias the Indian, kills the bull from his horse. Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: Plate: 9 13/16 × 13 7/8 in. (25 × 35.2 cm)Sheet: 12 3/16 × 17 3/8 in. (30.9 × 44.2 cm). Date: 1816. Museum: Metropolitan Museum of Art, New York, USA.

alb4152977 The Moors make a different play in the ring calling the bull with their burnous, plate six from The Art of Bullfighting. Francisco José de Goya y Lucientes; Spanish, 1746-1828. Date: 1813-1816. Dimensions: 202 x 309 mm (image); 245 x 352 mm (plate); 322 x 444 mm (sheet). Etching, burnished aquatint and drypoint on ivory laid paper. Origin: Spain. Museum: The Chicago Art Institute, Chicago, USA.

alb3639804 A Giant Seated in a Landscape, sometimes called 'The Colossus'. Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: Plate: 11 3/16 × 8 3/16 in. (28.4 × 20.8 cm). Date: by 1818.One of Goya's most striking images, the implicit subject of this work is unclear. A giant seated in a landscape turns his head over his shoulder as if he has been disturbed from thought. Perhaps he had been awaiting the dawning of a new day and turns because the moment has come. The Spanish master produced this print using burnished aquatint to achieve subtle effects of light and dark--an apt technique for depicting a crepuscular atmosphere and conveying the sense of unease that pervades the composition.It is not known exactly when Goya made this print. It has been dated to around 1800 or 'by 1818'. There is a close relationship between the print and the famous painting of the 'Colossus' in the Museo del Prado, Madrid. Both works show the same figure. The painting has always been attributed to Goya, but in 2008 it was assigned by the Prado Museum as a studio work and not by the master himself. There is no consensus and disagreement continues. The print is critical in the debate about the authorship of the painting. If the painting is a studio work then the artist borrowed the figure of Colossus from Goya's print. Given his imagination and originality, it seems highly unlikely that Goya would borrow the figure from someone else's painting to use in his print. Museum: Metropolitan Museum of Art, New York, USA.

alb3665901 Aesop (Aesopus), from Etchings after Velazquez. Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux); After Velázquez (Diego Rodríguez de Silva y Velázquez) (Spanish, Seville 1599-1660 Madrid). Dimensions: Plate: 11 5/8 × 8 7/16 in. (29.5 × 21.5 cm)Sheet: 16 1/8 × 11 5/16 in. (41 × 28.7 cm). Series/Portfolio: Etchings after Velazquez. Date: 1778. Museum: Metropolitan Museum of Art, New York, USA.

orz130134 TAUROMAQUIA 31 - BANDERILLAS DE FUEGO - 1815-AGUAFUERTE, AGUATINTA BRUÑIDA, PUNTA SECA Y BURIL - 249 x 357 mm. Author: FRANCISCO GOYA Y LUCIENTES DE (1746-1828). Location: BIBLIOTECA NACIONAL-COLECCION. MADRID. SPAIN.

orz130131 The forceful Rendon stabs a bull with the pike, from which pass he died in the ring at Madrid, plate 28 of 'The Art of Bullfighting' - 1816 - 25,5x35,6 cm - etching, aquatint and burin. Author: FRANCISCO GOYA Y LUCIENTES DE (1746-1828). Location: BIBLIOTECA NACIONAL-COLECCION. MADRID. SPAIN.

orz130132 TAUROMAQUIA 29 - PEPE ILLO HACIENDO EL RECORTE AL TORO 1815 - AGUAFUERTE, AGUATINTA, PUNTA SECA Y BURIL - 248 x 356 mm. Author: FRANCISCO GOYA Y LUCIENTES DE (1746-1828). Location: BIBLIOTECA NACIONAL-COLECCION. MADRID. SPAIN. DELGADO JOSE. PEPE ILLO / PEPE-HILLO / PEPEILLO. DELGADO GUERRA JOSE.

orz083447 JOSE MOÑINO Y REDONDO - CONDE DE FLORIDABLANCA-DETALLE DE LA CARTA CON LA FIRMA DE GOYA - 1783 - CONJUNTO Nº 374. Author: FRANCISCO GOYA Y LUCIENTES DE (1746-1828). Location: BANCO DE ESPAÑA-COLECCION ARTE. MADRID. SPAIN. JOSE MOÑINO Y REDONDO (1728-1808).

orz083449 DETALLE DE UN PERSONAJE NO IDENTIFICADO - JOSE MOÑINO Y REDONDO - CONDE DE FLORIDABLANCA - SIGLO XVIII - CONJUNTO Nº 374. Author: FRANCISCO GOYA Y LUCIENTES DE (1746-1828). Location: BANCO DE ESPAÑA-COLECCION ARTE. MADRID. SPAIN. JOSE MOÑINO Y REDONDO (1728-1808).

orz083444 DETALLE - JOSE MOÑINO Y REDONDO-CDE FLORIDABLANCA - 1783 - L 200x166 CM (CONJ Nº374)-SECRETARIO DE ESTADO. Author: FRANCISCO GOYA Y LUCIENTES DE (1746-1828). Location: BANCO DE ESPAÑA-COLECCION ARTE. MADRID. SPAIN. JOSE MOÑINO Y REDONDO (1728-1808). CONDE DE FLORIDABLANCA (1728-1808).

orz083446 DETALLE DE LA MANO CON IMPERTINENTES DE DON JOSE MOÑINO Y REDONDO - CONDE DE FLORIDABLANCA - 1783 - O/L - 262x166 CM - CONJUNTO 374. Author: FRANCISCO GOYA Y LUCIENTES DE (1746-1828). Location: BANCO DE ESPAÑA-COLECCION ARTE. MADRID. SPAIN. JOSE MOÑINO Y REDONDO (1728-1808). CONDE DE FLORIDABLANCA (1728-1808).

orz003332 Spanish school. José Moñino y Redondo, Count of Floridablanca. José Moñino y Redondo, Conde de Floridablanca. Madrid, Bank of Spain - Art Collection. Author: FRANCISCO GOYA Y LUCIENTES DE (1746-1828). Location: BANCO DE ESPAÑA-COLECCION ARTE. MADRID. SPAIN. JOSE MOÑINO Y REDONDO (1728-1808). CONDE DE FLORIDABLANCA (1728-1808).

orz000752 CONDE DE FLORIDABLANCA- DETALLE 1728/1808. Author: FRANCISCO GOYA Y LUCIENTES DE (1746-1828). Location: FUNDACION SANTANDER CENTRAL HISPANO. MADRID. SPAIN. CONDE DE FLORIDABLANCA (1728-1808).

orz129634 Jose Monino and Redondo (1728-1808) - Count of Floridablanca - First Secretary of State. Don Jose Monino y Redondo - Conde de Floridablanca - Primer secretario de Estado. Madrid, Prado museum. Author: FRANCISCO GOYA Y LUCIENTES DE (1746-1828). Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN.

akg6155696 France, Paris, musée du Louvre, Francisco José de Goya y Lucientes, 1746-1828, Portrait d'homme, dit autrefois Portrait de Don Evaristo Pérez de Castro, 1805-1810, huile sur toile.

akg6155445 France, Paris, musée du Louvre, Francisco de Goya y Lucientes, 1746-1828, portrait de la comtesse del Carpio, marquise de la Solana, née Maria Rita Barrenechea, 1757,1795, huile sur toile.

alb9907398 Gaspar Melchor de Jovellanos (1744-1811). Spanish neoclassical statesman, author and philosopher. Portrait of Jovellanos by Francisco de Goya y Lucientes (1746-1828), 1798. Detail. Oil on canvas (205 x 133 cm). Prado Museum. Madrid. Spain. Author: Francisco de Goya y Lucientes (1746-1828). Spanish painter.

alb9907414 Gaspar Melchor de Jovellanos (1744-1811). Spanish neoclassical statesman, author and philosopher. Portrait of Jovellanos by Francisco de Goya y Lucientes (1746-1828), 1798. Detail. Oil on canvas (205 x 133 cm). Prado Museum. Madrid. Spain. Author: Francisco de Goya y Lucientes (1746-1828). Spanish painter.

alb9907415 Francisco de Goya y Lucientes (1746-1828). Spanish painter. Self-portrait, 1815. Oil on canvas (45,8 x 35,6 cm. Prado Museum. Madrid. Spain.

alb2068094 Francisco de Goya y Lucientes / 'Self-Portrait', 1815, Spanish School, Oil on canvas, 45,8 cm x 35,6 cm, P00723. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

alb2069793 Francisco de Goya y Lucientes / 'Infante Carlos, Count of Molina', 1800, Spanish School, Oil on canvas, 74 cm x 60 cm, P00731. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

alb3787276 Francisco de Goya y Lucientes / 'Que sacrificio!'. 1797 - 1799. Etching, Drypoint, Burnished aquatint on ivory laid paper. Museum: Museo del Prado, Madrid, España.

alb3490823 Plate C: The dogs let loose on the bull., ca. 1816, Etching, burnished aquatint, drypoint and burin, Sheet: 9 5/8 x 13 3/4 in. (24.51 x 35cm), Prints, Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 17461828 Bordeaux).

alb3492982 A 'Maja' standing against a dark background (Maja), Etching, aquatint and burnishing, printed in black ink, with platetone, Plate: 7 3/8 × 4 7/8 in. (18.8 × 12.4 cm), Prints, Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 17461828 Bordeaux).

alb3525661 Josefa de Castilla Portugal y van Asbrock de Garcini (1775about 1850), 1804, Oil on canvas, 41 x 32 3/8 in. (104.1 x 82.2 cm), Paintings, Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 17461828 Bordeaux), In this pendant to the portrait of her husband, Ignacio Garcini y Queralt, Doña Garcini is evidently pregnant, which may account for the informality of her hair and dress. Her Rubensian features and coloring, invariably noted by critics, have only recently been explained: Josefa's mother, whose name was Van Asbrock, was of Flemish descent.

alb3473841 He Wakes Up Kicking, 18013, Brush and gray wash on laid paper, Sheet: 9-5/16 x 5-3/4 in. (23.6 x 14.61cm), Drawings, Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 17461828 Bordeaux).

alb3462175 Waking from Sleep in the Open Air, from Images of Spain Album (F), 71, 181220, Brush and brown wash on laid paper, Sheet: 8-1/16 x 5-3/4 in. (20.5 x 14.61cm), Drawings, Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 17461828 Bordeaux).

alb4157374 CEAN BERMUDEZ, JUAN AGUSTIN HISTORIADOR ESPAÑOL. GIJON 1749-1829 OLEO DE FRANCISCO DE GOYA COLECCION PARTICULAR. MADRID. Author: FRANCISCO GOYA Y LUCIENTES DE (1746-1828).

alb4157358 GOYA, FRANCISCO DE PINTOR ESPAÑOL. FUENTETODOS 1746-1828 ASALTO A UNA DILIGENCIA, OLEO COLECCION PARTICULAR. MADRID. Author: FRANCISCIO DE GOYA Y LUCIENTES (1746-1828).

alb4042423 FRANCISCO DE GOYA SPANISH PAINTER. FUENDETODOS 1746-1828 "THE ANGLER" OIL OIL MINISTRY OF EDUCATION AND SCIENCE. MADRID. Author: FRANCISCO GOYA Y LUCIENTES DE (1746-1828).

alb3631509 Manuel Osorio Manrique de Zuñiga (1784-1792). Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: 50 x 40 in. (127 x 101.6 cm). Date: 1787-88.The sitter is the son of the Count and Countess of Altamira. Outfitted in a splendid red costume, he is shown playing with a pet magpie (which holds the painter's calling card in its beak), a cage full of finches, and three wide-eyed cats. In Christian art birds frequently symbolize the soul, and in Baroque art caged birds are symbolic of innocence. Goya may have intended this portrait as an illustration of the frail boundaries that separate the child's world from the forces of evil or as a commentary on the fleeting nature of innocence and youth. Museum: Metropolitan Museum of Art, New York, USA. Author: Goya (Francisco de Goya y Lucientes).

alb3675545 Plate 20 from the 'Tauromaquia':The agility and audacity of Juanito Apiñani in [the ring] at Madrid. Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: Plate: 9 5/8 × 13 7/8 in. (24.5 × 35.3 cm)11 in. × 15 3/16 in. (28 × 38.5 cm). Series/Portfolio: La Tauromaquia. Date: 1816.16.4.2 ; 16.4.3; 16.4.4; are all on paper with No. 1 watermark.Under microscopic examination it is clear that the lines and aquatintare finer than in the impressions from the MMA complete set (21.19.1-33) printed on paper that appears to be uniformly Serra make, even when the watermark is not present. Museum: Metropolitan Museum of Art, New York, USA.

alb3603132 Tiburcio Pérez y Cuervo (1785/86-1841), the Architect. Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: 40 1/4 x 32 in. (102.2 x 81.3 cm). Date: 1820.After recovering from a serious illness in 1819-20, Goya painted this portrait of one of his close friends. The sitter was an architect, and responsible for the design of the medical school on the Calle de Atocha in Madrid. He was elected to the Academy of Fine Arts of San Fernando in 1818. This is perhaps one of the most engaging of Goya's male portraits. Pérez's rolled-up sleeves and slight smile suggest a directness and warmth that are rare in the artist's oeuvre. Museum: Metropolitan Museum of Art, New York, USA.

orz185261 (MONUMENTO A GOYA) - SIGLO XX. Author: CRISTOBAL TORAL RUIZ 1940. Location: PRIVATE COLLECTION. FRANCISCO GOYA Y LUCIENTES DE (1746-1828).

alb3536767 Plate 34 from 'The Disasters of War' (Los Desastres de La Guerra):'On account of a knife' (Por una navaja.), 1810 (published 1863), Etching, drypoint, burin and burnisher, Plate: 6 1/8 × 8 1/16 in. (15.5 × 20.5 cm), Prints, Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 17461828 Bordeaux).

alb3493902 Plate 65 from 'The Disasters of War' (Los Desastres de la Guerra): 'What is this hubbub'' (Qué alboroto es este?), after 181415 (published 1863), Etching, burnished aquatint and/or lavis, burin and burnisher, Plate: 6 7/8 × 8 11/16 in. (17.5 × 22 cm), Prints, Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 17461828 Bordeaux).

alb3495696 Plate 59 from 'The Disasters of War' (Los Desastres de la Guerra): 'What is the use of a cup?' ( De qué sirve una taza?), 181112 (published 1863), Etching, burnished aquatint and lavis, Plate: 6 × 8 in. (15.3 × 20.3 cm), Prints, Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 17461828 Bordeaux).

alb3492290 Plate 54 from 'The Disasters of War' (Los Desastres de la Guerra): 'Appeals are in vain' (Clamores en vano), 181112 (published 1863), Etching, lavis, burin, and burnisher, Plate: 6 in. × 8 1/16 in. (15.2 × 20.5 cm), Prints, Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 17461828 Bordeaux).

alb3496294 Plate 45 from 'The Disasters of War' (Los Desastres de la Guerra): 'And this too.' (Y esto tambien.), 1810 (published 1863), Etching, aquatint or lavis, drypoint and burin, Plate: 6 7/16 × 8 9/16 in. (16.3 × 21.8 cm), Prints, Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 17461828 Bordeaux).

alb3490059 Plate 52 from 'The Disasters of War' (Los Desastres de la Guerra): 'They do not arrive in time.'(No llegan á tiempo.), 181112 (published 1863), Etching, lavis, drypoint and burin, Plate: 6 1/16 × 8 1/16 in. (15.4 × 20.4 cm), Prints, Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 17461828 Bordeaux).

alb3493421 Los Disparates (Los Proverbios), ca. 181623 (published 1864), Etching, Sheet: 13 1/8 × 18 7/8 in. (33.3 × 48 cm), Prints, Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 17461828 Bordeaux), From the posthumous first edition published by the Academia de San Fernando in Madrid in 1864 under the title 'Los Proverbios'.

alb3491871 The Disasters of War (Los Desastres de la Guerra), title page, 181020, published 1863, Etching, aquatint, lavis, drypoint, burin, and burnishing, Sheet: 9 15/16 × 13 7/16 in. (25.2 × 34.2 cm), Prints, Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 17461828 Bordeaux).

alb3495952 Plate 40 from 'The Disasters of War' (Los Desastres de La Guerra):'He gets something out of It (Algun partido saca), 1810 (published 1863), Etching, drypoint and burin , Plate: 6 7/8 × 8 7/16 in. (17.4 × 21.5 cm), Prints, Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 17461828 Bordeaux).

alb3490127 Plate 77 from 'The Disasters of War' (Los Desastres de la Guerra): 'May the cord break.'' (Que se rompe la cuerda.), after 181415 (published 1863), Etching, burnished aquatint or lavis, drypoint and burnisher, Plate: 6 3/4 × 8 11/16 in. (17.2 × 22 cm), Prints, Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 17461828 Bordeaux).

alb3494656 Plate 48 from 'The Disasters of War' (Los Desastres de la Guerra): 'Cruel tale of woe!'(Cruel Lástima!), 181112 (published 1863), Etching, burnished lavis, burin and burnisher, Plate: 6 in. × 8 1/16 in. (15.3 × 20.5 cm), Prints, Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 17461828 Bordeaux).

alb3522846 At the Count Palatine's (Al Conde Palatino), Study for Capricho, plate 33, 179697, Brush and gray wash(indian ink) on laid Netherlandish paper, 9-1/4 x 5-3/4 in. (23.5 x 14.6 cm), Drawings, Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 17461828 Bordeaux).

alb3488099 Plate 24 from 'The Disasters of War' (Los Desastres de la Guerra):' They can still be of use.' (Aun podrán servir), 1810, Etching before burnisher, Plate: 6 5/16 × 10 1/16 in. (16.1 × 25.6 cm), Prints, Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 17461828 Bordeaux).

alb3487649 Plate 48 from 'The Disasters of War' (Los Desastres de la Guerra): 'Cruel tale of woe!'(Cruel Lástima!), 181112 (published 1863), Etching, burnished lavis, burin and burnisher, Plate: 5 7/8 in. × 8 in. (15 × 20.3 cm), Prints, Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 17461828 Bordeaux).

alb3489065 Plate B from the 'Disparates':Punctual Folly, ca. 181623 (published before 1877), Etching, aquatint, and drypoint (?), Plate: 9 5/8 × 13 3/4 in. (24.5 × 35 cm), Prints, Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 17461828 Bordeaux), One of the four additonal plates prepared for the set but not included in the posthumous first edition published by the Academia de San Fernando in Madrid in 1864 under the title 'Los Proverbios',.

alb3474839 Two Prisoners in Irons, from Images of Spain Album (F), 80, 181220, Brush and brown wash on laid paper, Sheet: 8-1/8 x 5-5/8 in. (20.6 x 14.3cm), Drawings, Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 17461828 Bordeaux).

alb3464227 A Woman Murdering a Sleeping Man, from Images of Spain Album (F), 87, 181220, Brush and brown wash on laid paper, Sheet: 8-1/16 x 5-5/8 in. (20.5 x 14.3cm), Drawings, Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 17461828 Bordeaux).

alb3455179 A Woman Kneeling before an Old Man, Images of Spain Album, 55, ca. 181220, Brush and brown wash on laid paper, Sheet: 8-1/16 x 5-5/8 in. (20.5 x 14.3cm), Drawings, Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 17461828 Bordeaux).

alb3455082 Revenge Upon a Constable, from Images of Spain Album (F), 86, 181220, Brush and brown wash on laid paper, 8-1/16 x 5-11/16 in. (20.5 x 14.4 cm), Drawings, Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 17461828 Bordeaux).

orz011753 PARQUE DEL OESTE - MONUMENTO A GOYA - 1932 - FOT OAÑOS 60. Author: JUAN CRISTOBAL (1897-1961). Location: PARQUE DEL OESTE. MADRID. SPAIN. FRANCISCO GOYA Y LUCIENTES DE (1746-1828).

alb2637174 It's a Pity You Don't Have Something Else to Do!; Francisco José de Goya y Lucientes (Francisco de Goya), Spanish, 1746 - 1828; about 1808 - 1814; Brush and sepia wash and pen and black ink; 20.3 x 14 cm (8 x 5 1/2 in.).

alb2625884 Contemptuous of the Insults; Francisco José de Goya y Lucientes (Francisco de Goya), Spanish, 1746 - 1828; about 1816 - 1820; Brush and india ink; 29.5 x 18.3 cm (11 5/8 x 7 3/16 in.).

alb2603778 Pygmalion and Galatea; Francisco José de Goya y Lucientes (Francisco de Goya), Spanish, 1746 - 1828; possibly about 1812 - 1820; Brush and sepia wash; 20.5 x 14.1 cm (8 1/16 x 5 9/16 in.).

alb2019221 Francisco de Goya / 'El Lazarillo de Tormes', ca. 1808-1810, Oil on canvas, 80 × 65 cm. Museum: PRIVATE COLLECTION.

orz020772 BUSTO DE GOYA - POSTERIOR A 1902 - BRONCE - 50 CM. Author: MARIANO BENLLIURE. Location: MUSEO DEL PRADO-ESCULTURA. MADRID. SPAIN. FRANCISCO GOYA Y LUCIENTES DE (1746-1828).

orz115609 JUEGOS DE NINOS. Author: FRANCISCO DE GOYA (1746-1828). Location: FUNDACION SANTAMARCA. MADRID. SPAIN.

orz115620 MARIA HERMANA DE MOISES EN EL TRIUNFO DE ISRAEL. Author: FRANCISCO DE GOYA (1746-1828). Location: PRIVATE COLLECTION. MADRID. SPAIN.

orz115432 The Caprices, plate 11. 'Lads making ready (Muchachos al avío)', 1799, Etching, burnished aquatint and burin on laid paper, 21,9 x 15,4 cm. Author: FRANCISCO DE GOYA (1746-1828). Location: BIBLIOTECA NACIONAL-COLECCION. MADRID. SPAIN.